With the bio proclaiming, “Rock 'n’ Roll. The end”, "Alabama Shakes" fans can rejoice in the surprise release of “Thunderbitch”, the 10-track LP produced by frontwoman Brittany Howard. Many say she’s exploring a new facet of her personality, mixing garage-punk while still dipping into the soulful, bluesy rock that "Alabama Shakes" is famous for. Composed of Nashville-based projects "Fly Golden Eagles" and "Clear Plastic Masks", “Thunderbitch” has no shortage of heavy guitar and driving bass. Unsurprisingly though, the one thing that separates the album from any other similar garage band LP, is, well, Howard. Although "Alabama Shakes" have been fairly adventurous in their body of work so far, Howard has always been the nucleus, the stage presence leading the group away from any similar work. The album can fairly be criticized as unoriginal--and although I will say that it’s nothing profound or really all that special, the album is quite fun. Matt Menold from "Clear Plastic Masks" lays out plenty of wonderful guitar riffs, and Howard’s vocals are as impressive as ever.
Analysis aside, I’d give “Thunderbitch” a solid seven out of 10. An album that delves into original rock roots is hard to find nowadays, and Howard does well in taking us back into that, sprinkling soulful, Southern texture into it as well. Having only played a total of three live shows, all in Nashville, the album already seems to have found its niche, the fans know what they want--a face-melting, amp-cranked experience--and that’s exactly what is happening. “Thunderbitch” takes us back into the classic rock 'n’ roll experience, and for an album that doesn’t demand too much of your attention, it’s certainly getting a lot, and rightfully so.
Essential Tracks:
-Leather Jacket
-Closer