Remember the inescapable phrase “D-D-D-ROP THE BASS”? from that Skrillex banger that centered weekend playlists in dark-lit, sticky-floored frat basements? That wooed dance floor bodies into choreographing their sauced dance moves with impending bass drops? When, for once, EDM was not only commonly welcomed, but invited?
Well, the times they have-a changed. Although EDM still remains prevalent in most collegiate music circles, a fluffy cloud now looms over it. DJs, who were thought of as revolutionary dance floor catalysts, now seem processed, their hooks anticipated, their choruses’ cliché.
DJs, however, aren’t the only ones who’ve changed. Many young music enthusiasts, who once irrationally marveled at Avicii’s “Levels” reversed, now thirst for fresh electronic music. Something that will enhance the listening experience, providing features, samples, and synth mixes previously unimagined.
As staunch seekers of new tunes, the WGRE music staff has long embarked on this adventure. Through bundles of new CDs delivered to the station and hours of procrastination spent surfing music blogs, Brian Austin and I have packed the WGRE log with satisfying electronic music. From conceptual projects with experimental overtones to retro ditties with soulful flares, these WGRE artists will quench your electronic thirst.
Porter Robinson – Around the same time that Skrillex seemed like an avant-garde music mind, various shiny artists emerged. Due to their apparent talent, they seemed destined for the Top-40, seguing into mainstream airwaves.
Porter Robinson was one of them. Not that he sounded glossy enough for chart-topping Pitbull features, but his direction seemed calculated. His new album, “Worlds,” is just the opposite. Many tracks feature tying narratives that, while often distorted, compliment an already driven orchestration.
Whether instrumentally or vocally, a contemplative tone continually reappears. This is amidst a slew of leveled melodies and funky bass foundations. While still incorporating modern tactics, Robinson pleasantly flickers both retro and futuristic bursts.
Chromeo – To garner widespread attention, some electronic artists go above and beyond to attract fans. Some have rocketships on stage. Some collaborate with ubiquitous pop stars. Some haul cakes at their audience.
Others simply go electro-funk. Chromeo did. The Canadian duo has produced some of the most engaging tracks of 2014. Their new record, “White Woman”, reflects just as their genre suggests. Its bass foundation is filled with Seinfeld-like licks and steadfast zest.
With hints of disco and ‘80s wave, Chromeo is an effective go-to for engaging listeners. Jam-packing their songs with soulful choruses, listeners continually feel emotionally invested. This appeasing trend cements Chromeo as an electronic entity fit for pleasure.