Filmmaker Pete Ohs (‘05) Brings ‘Everything Beautiful is Far Away’ to DePauw Lindsey Jones April 4, 2018
Farming is Changing Hands: ‘Farmers for America’ Screening and the Growing Generational Gap in Farming Lindsey Jones March 20, 2018
The Female Gaze: Destruction or Creation?: The beautiful ambiguity in sci-fi thriller “Annihilation” Lindsey Jones March 20, 2018
Wakanda Forever!: Understanding the lasting impact “Black Panther” has in the Marvel Cinematic Universe Lindsey Jones February 19, 2018
The Female Gaze: How “The Man Who Invented Christmas” reveals the impact of Charles Dickens’ “A Christmas Carol” on the Christmas holiday Lindsey Jones December 5, 2017
The Female Gaze: From Serious to Satirical: the commercially-motivated rebrand of “Thor: Ragnarok” in the Marvel Universe Lindsey Jones November 14, 2017
The Female Gaze: The Final Girl’s Worst Birthday Ever in ‘Happy Death Day.’ Lindsey Jones October 31, 2017
The Female Gaze: Defining the Real and the Replicant in “Blade Runner 2049” Lindsey Jones October 10, 2017
Pens to Pictures: Alumni Chinonye Chukwu ‘07 to screen her ‘5 Films by 5 Women’ short film series Lindsey Jones October 5, 2017
“Kingsman: The Golden Circle” and the campy commentary on the legalization of drugs. Lindsey Jones September 26, 2017
The Female Gaze: Come for the clown scares, stay for the real-world horror in “It” Lindsey Jones September 12, 2017
DePauw student artists present artwork at annual juried student exhibition Lindsey Jones February 8, 2017